For example, we prefer to look at the jagged edges of rocks, trees, and the texture of fur, grass, and other organic matter … instead of looking at lifeless, inorganic materials such as stainless steel, or plastic. For example, rust looks aesthetically beautiful for the shifting bronze and blood orange textures and colors, or the golden brass peeking out of a worn-down black paint Leica.
If you study nature and fractals, the coast lines of islands and land, or anything natural… there are no straight lines.
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Human eyes and sensory perception prefers the aesthetics of the natural, rugged, textured, and imperfect. My theory is that if humans did not love the aesthetics of nature trees, water, greenery , we would have died. Humans survive and thrive best where there is bountiful green land and trees and water for survival. Maybe this is why we like views of sweeping forests, flat plains, and bodies of water. Something in our DNA likes this.
We like false colors, gritty grain, and irregular contrast. For me, it is like judging pictures, art, and beauty like you do with your food… either with enthusiasm, good appetite, or the opposite— disgust and nausea. Any picture with too much post processing or HDR is ugly. It is like adding 1, spices to a nice piece of sirloin steak. It ruins the taste of the meat with too many flavors.
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Or like dumping an entire container of salt on that nice steak. A little salt improves the taste, but too much salt ruins it. Therefore with digital pictures, of course we must process them and add filters and presets. But my general rule is this:. To prevent you from over-salting your steak. Obviously, everyone has different aesthetic tastes.
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Some of us like our meat more salty. Some of us like our food salty. Some of us like fatty cuts of steak, pork jowl, or beef tongue. The more ill-informed prefer skinless chicken breast and white meat, or even worse… Filet mignon. But I am wrong. I like high contrast black and white pictures. I prefer the gritty black and white work of Josef Koudelka. I know I like the aesthetic or look, when I apply the A6 preset, and it suddenly looks really good! And I smile. I know I will look back on these photos as an old man, and they will still bring a smile to me. Because the colors are softer, more muted, pink pastels and dusty blue.
Also, seeing the irregularity of the film grain, the scratches on the scanned negatives, and the random flares of light bring me x more joy than any digital picture I have made of Cindy. The joy of wandering the streets, the joy of talking with strangers and loved ones, the joy of good tasting food I love the pork broth of Japanese Ramen , and the aesthetic joy of looking at great art.
And the challenge and fun of making art myself… via writing, poetry, videos, pictures, and drawings. Bill did an experiment during our shoot-out where he asked us to manually focus several of the images as best we could. He then took one with the autofocus — and in every case, the autofocused image was sharper than our mortal efforts.
I will now be able to fill up compact flash card after flash card with moving water exposures — and delete all except the single best one! Who knows, I might even want, on occasion, to insert a film holder..?
P45 images are on the left and film scans on the right. These are sections from those large print files, with appropriate USM applied on the film scans, and smart sharpen on the digital files. I also introduced a little mid-tone contrast in the digital files to match the film scans better. A few clarifications: This was solely a test for resolution, not color. Theoretically, digital cameras have the capability to provide more accurate color than film. After all, a scanner profile is made so that the colors on the film are reproduced accurately-and film introduces its own color distortions.
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Excellent color is also available through use of Adobe Camera Raw, as it has beautifully smooth profiles for each camera it supports. Although custom camera profiles are notoriously difficult to get right, that would provide the most accuracy. It would have been best to eliminate some variables by using only one camera, but it was not possible.
And finally-the cost. The price is stratospheric, but running some numbers brings it closer to earth. Cramer is recognized as a master printer. Photographs by Charles Cramer are available through fine photographic galleries throughout the West. He has also taught various photography classes for the Ansel Adams Gallery Workshops. After spending seven years of college studying classical piano, Charles Cramer visited Yosemite National Park, and soon realized he wanted out of those tiny practice rooms!
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Sign Up Now. Charles Cramer After spending seven years of college studying classical piano, Charles Cramer visited Yosemite National Park, and soon realized he wanted out of those tiny practice rooms!